01 · CONTEXT
Wanyue PARK is a publishing-group cultural destination in Zaozhuang, Shandong — book town, commercial street and lakeside promenade in one compound. The brief asked for permanent cultural installations that turn three everyday passages into acts of reading. The answer is a trilogy: one horizontal, one vertical, one made purely of light — together, a reading threshold. The three installations answer with one gesture each: you walk, and the shell opens; you climb, and the pages rise; you stand, and the light finds a word.

HORIZONTAL · 广场
触·启
A 22-metre walk-triggered shell-corridor: 21 load-bearing pedals, pure mechanics, no electricity. Your weight is the only key.

VERTICAL · 中庭
书海拾贝
A translucent spiral reading hill in the atrium — Icebergs re-read as pages and shells, one line of poetry per pane.

LIGHT · 外墙
开光见字
220 stained-glass word lamps cover a facade; a pendulum light-pen sweeps the wall and lights one word at a time.
02 · INSTALLATION I — 触·启
A giant scallop lying on its side, 22 metres long. Its shell plates read as book leaves; each leaf opens by weight alone. The motif comes from the park's own name — gleaning shells from a sea of learning, a pearl formed in the dark.






Twenty references behind Series 1: the woven page-walls of the Greek Pavilion, Studio INI's click-together scales, and the turning-page plaza piece — each one answers a part of the 22-metre corridor.




















The floor splits into 21 load-bearing pedals, one metre each. Step — it sinks 2cm — steel cables turn cams — leaves pivot outward. No motor, no button: the visitor is the only power source.
Each leaf swings back over 2–3 seconds of damping. The corridor seals itself in your wake, like a shell returning to rest.
Micro piezo sensors inside each pedal light an LED lattice as you pass — warm white drifting to gold, left glowing on the path behind you.
Steel frame & foundation · 38–42 weathering-steel shell plates · 21-pedal linkage · acrylic liner with laser-engraving · LED lattice · central pearl sphere with projection · installation & transport.
Fully closed, a dark bronze wall — a single breathing slit of light.
First steps: leaves pivot, light floods the tunnel.
The ascent — side lattices carry the Book of Songs, line by line.
The centre: a 70cm luminous pearl suspended overhead.
A slower passage, longer afterglow.
Light cools toward moon-white; the text turns modern.
The shell opens fully — healed, daylight, exit.

03 · INSTALLATION II — 开光见字
Two thousand years ago in this region, Kuang Heng chiselled through a wall to borrow his neighbour's light and read. Today the wall answers back: 220 independent stained-glass word lamps cover a ten-metre facade, and a giant pen of light — 80 to 120 warm-white LEDs gathered into a brush-like silhouette on a 4–5 metre cantilever — swings on a physical pendulum. Whatever word the beam crosses, glows. When the pen moves on, the word dims, waiting for the next reader.






Twenty-one references behind the word wall: shadow theatres, letter waterfalls, paper-strip character projections and metal butterflies — the lineage of a light pen that reveals one word at a time.





















04 · INSTALLATION III — 书海拾贝
James Corner Field Operations' Icebergs, re-read: white translucent volumes stacked as pages and shells in the atrium of the cultural centre. Visitors climb, linger and read between the panes; each pane carries one line of poetry — the city's reading memory, one shard at a time. Acrylic, frosted resin and LED: an iceberg by day, a lantern by night.



Seven references behind the reading hill: James Corner's Icebergs at the National Building Museum — blue field, white translucent volumes, people climbing and resting.






